More Human than Human: Robots, Cyborgs, and A.I. in the Movies

Robot

“Quite an experience to live in fear, isn’t it? That’s what it is to be a slave.” Thus speaks replicant Roy Batty in Blade Runner (1982), having turned the tables on his would-be executioner, Deckard, while neatly summarizing the predicament of creatures created to serve mankind. As Deckard clings to … More

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A Man, a Blade, an Empty Road

Sword of Doom (1966)
Known in Japan as chanbara eiga (“sword fighting film”), a subset of the jidai-geki (“period theatre”) genre, samurai film and its development lies at the core of Japanese cinema and its long history. Chanbara became one of the central vehicles by which Japan would reexamine its culture and values in light of its new postwar, post-imperial role. Read more