Screenwriting

The Basic Outline

After you’ve come up with what you feel is a workable premise for a story, the very next action you will want to take is often the basic outline. This is a skeletal structure for the working body of the film, and is simpler than a step outline, … More

Anatomy of a Scene

One of the least discussed, least understood components of a screenplay is also, ironically, one of its main units of story measurement, character development, and plot information: the scene.

Too many beginning writers unfortunately seem to think that most scenes are throwaway moments, and that somehow the overall story structure … More

Screenwriting Glossary

act | A finite block of story action, its conclusion leading either a new direction for the story’s conflict, or to a resolution. An act is like a story all unto itself. It, too, has a beginning, middle, and end. Acts should be treated not just as parts of a … More

Variations in Screenplay Format

Screenplay format is at times straightforward, at times confusing. Yet beginning screenwriters often assume that rules of format are set in stone, which is not true. Script format evolves, mutates, and varies from writer to writer. Learning when and how you can alter format to your needs will make your … More

Steal This Idea!

Everybody does it. What are Hollywood screenwriters and producers if not a sleek band of rapacious idea-highwaymen and -women, constantly on the prowl for the unpillaged concept, the unpludered notion?

Now it’s your turn.

Yes, you, too, can join this elite cadre of concept-ninja, and obtain ideas the old-fashioned way; … More

An Actor’s Perspective

It’s essential for a screenwriter to understand a script from the perspective of an actor. Acting, being the major component of performed drama, overlaps and interlocks with screenwriting in some very important and integral ways.

Thus, a great way to better understand the role that character plays in your own … More

Know Thyself, or How to Avoid Becoming a Hack

Somewhere, in the midst of all of this talk about format, plot, dialogue, pitch meetings and million-dollar deals lies the real core of our profession — the story.

What are your stories, why do you choose to tell them, and what do they mean to you? If any of your … More

Growing the Idea

So you want to write a screenplay. Where to begin?

One of the most common questions asked of writers is, “Where do you get your
ideas?”

When I hear that, my first impulse is to flippantly respond, “If you don’t have any ideas, why do you want to write?!” Eventually, … More

Submerged: The Story Beneath the Story

When you watch a great movie, read a really good book, or are in some way exposed to a nice piece of storytelling, you may have often had a sense of shifting layers of meaning underneath the surface scenes and characters. Indeed, there are entire disciplines devoted to ferreting out … More

Conflict in Genre: Not Just the Bad Guy

Beginning screenwriters truly seem to have trouble understanding that conflict is essential to drama. While they are usually aware of the necessity of an antagonist, what they typically forget is that conflict should be everywhere in a story, and not solely originate from the bad guy and his minions. This … More

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